face jugs

Still Seeking, Not So Desperately

LocalTalkersGoingHome

I’ve had a fine old time connecting with 19 out of 53 (36% so far!) folks from the “Local Talkers 2009” series of mini face jugs that I made back then and am now giving away to the folks who unwittingly posed for them. IF I can find them!

The whole idea is described in my last post, if you’d like to delve further. That post also contains the list of all 53 names AND who’s been located so far. I keep updating it and I will also include the shortened list at the end of this entry as well.Read More >

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Local Talkers 2009: The Complete Version

All of last year I gathered the weekly Santa Cruz Good Times and tore out the Local Talk column, selected one smiling respondent to respond to and made a small face jug inspired by it. Most have a sculptural spout and handle(s) and all are functional in that they really could be containers.

It was a daunting process with lots of pauses and I blogged about it fairly regularly: quarterly progress reports, procedural essays, thoughts on completion conundrums.

I did not hurry myself other than with the urgency borne of a curiosity to see how it would resolve, since I did not know either!

After all the pieces were formed and safely bisque fired, I still wasn’t sure how to finish them in order to unify their differing expressions, attributes and even slight size ranges. I also needed to have a display concept, and I felt I needed a glimmer of how they would be formally viewed before I chose the finish glaze treatment. It took time to feel this out.

Simplicity ruled. What you see is a black wash over each piece to bring out the planes and textures as in a drawing. A touch of Radiant Red underglaze was brushed over the week’s number which had been impressed into each piece and at its spout opening. That’s it. Black and White and Red (read) all over.

As for the display, even with a clear concept it was only after much searching that I located this commercial shelf which came with just the right amount and size of cubbies AND numbers too! I brushed red on the numbers and stained the interior with a black wash to pump up the Shabby Chic-ness, thereby unifying both Local Talkers and their habitat.

There is no particular way the faces need to be placed in this shelf, although a few on top and mostly two to a cubbie works easily. Certainly they do not need to be in numerical order!

A year becomes a jumble anyhow, and having the face jugs free to intermingle at last and create a sense of their own relationship and conversation is such delicious fun. A dollhouse for adults in a way.

I am assembling a book of the Local Talk columns alongside individual photos of that week’s finished jug. While I could still pick out the weekly person whose face I used, I have been surprised at how far afield I went from the source photo. It was a complete surprise to me to see how often the gesture and even the hair part of the artwork are a mirror image of the original. And very, very often the gender is interpreted more androgynously, if not exactly opposite, which seems to be “something I do.”

I am including my blogs about the process in this book too, sprinkling them into the rhythm of the year’s making…and it is gotten on to be a year and a half. This post will be included as well. The book-making has even nudged me to write it!

So, what happens next? I have entered the piece into a local juried exhibit and have not heard back yet if it has been accepted. If it is, that creates a path. If it is not, that creates another. Both paths will lead to letting the Good Times know about this work, but each will create a method.

This piece is a unit…all the tiny jugs go together in their display as one sculpture and I am completely happy with that. But I yearn for a series of similar pieces that can fly individually free. I am noticing that I want to do this yearly practice again, making bigger face jugs still based on this Local Talk weekly cavalcade of expression. So here comes 2011, and I am getting ready.

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Catching Up with the Local Talkers of 2009

This time last year I embarked on a project I knew for certain would take a minimum of a year to complete, which was part of its appeal: to make one small jug a week inspired by the expressions of the respondents to the Local Talk column in the weekly entertainment tabloid called the Good Times.

I shared my quarterly progress with you and last wrote in October, noting the fact that, while I had faithfully gathered the weekly columns and made lots of other ceramic art, I was OK with the fact that I had finished only one of the 13 jugs in the Third Quarter…and the hands-on studio time for the project in the Fourth Quarter was not looking promising.

You can find the other posts in order here, here, here, here, here and here. I truly recommend reading the first and the last ones, for the original set up and the “we left off here” aspects.

But up top and just below are photos of the still-green evidence of my earnest studio time in the past week, when I returned at long last to Weeks 28-39!

I was concerned that after such a long time away from these faces, my “hand” would be different and it would reflect in an observable and unwanted difference from July to January’s product. Not so! While I felt differently inside and held some completely different mental conversations — many of which were based on the powerful learning I did last summer at Skyline College with Tiffany Schmierer and last fall with Cynthia Siegel — what came out was pretty seamless. Whew!

I have an opportunity to work in my studio at least this much in the coming weeks and would love to get all these lovelies, current and future (Weeks 40-52), into the bisque kiln by month’s end. I am rarin’ to solve the puzzle of how to decorate this body of work and also how to display it to best effect. I have some tantalizing ideas on both fronts.

After a year’s practice, it has been odd to not set out each Thursday morning in search of the current week’s copy of the Good Times, but it has taken one tiny bit of pressure off my days, allowing me to absorb the fact that I really did collect the whole year and now just can enjoy the heck out of making good on my promise to myself.

More on this real soon!

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Local Talkers Close Up


Taking a closer look at two of the small face jugs I am making all this year, as described in my previous post. On top is Week #16 and below Week #20. I affectionately call them Bland Man and The Dude. They both were unusual experiences in the making, and that is is why I am featuring them. (You are able to see front views of them in the group shot from my last post.)

There are typically four faces to choose from each week in the Local Talk column. I am often magnetically drawn to just one and, while I don’t decide for sure until I am actually sitting down with the wet clay to make that week’s jug, it doesn’t change all that often.

Bland Man was my response to NOT getting any buzz going that week. (No offense to any of those folks featured in that column!) This project has always been more about responding to what I see rather than creating a portrait, but even creative responses benefit from close observation of the details. No matter what I did, nothing niggled or intrigued. What else to do but to go with that then? I am happy I did. There is something timeless in this simple little jug. It has whimsy and wisdom and a calm abiding sense that recalls more ancient art. Bland Man, then, is a tiny little joke, really. Beneath that calm exterior lies….

Now The Dude I talked of last May in the Mother-Daughter Double Jug post. If you recall, I was tempted to make another two-person jug, but the angles were wrong, so I went with this covered-up but still full of personality (or attitude?) young guy. And, usually I put the week’s number on the neck or hair in back, but the big ole “20” got pressed into the front of the cap. There is swagger and self-satisfaction in this one for both him and me.

Of the six weeks I let this project ride while I studied ceramics at Skyline College in San Bruno with Tiffany Schmierer, the Thursday columns lined up on my studio wall like fence posts. I spent time studying them yesterday. I mentioned before that I had never seen anyone mugging in a Local Talk column…well, dear readers, I have a Mugger for you. I also have the lovely face of a local classical sculptor who teaches European methods (gee, am I intimidated? Nah.) And there are LOTS of people in sunglasses because it is summer in Santa Cruz! Not quite sure what will develop because of that. We’ll all know in October’s post.

Like I also have said, nearly all are smiling or doing something to make ME smile. Such a gift. At mid-year I am very pleased with this project and looking forward to bringing it into its fullness. I consulted with Tiffany about applying colors and glazes, so I even have some insight into where I will go with that when they and I are ready. It all feels just right.

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Local Talkers Class Picture Day

It’s been fun thinking up how to show you all thirteen weekly small face jugs from the second quarter of my 2009 year-long series based on the Local Talk column in the Local Rag Called The Good Times. It’s basically a face-a-week proposition I have been working, working, working.

But ever since hitting the half a year mark in June, at 26 weeks, I have been letting the columns pile up and taking some time away while I did a six-week summer intensive at Skyline College in San Bruno, CA with Tiffany Schmierer. (Much more wonderfulness on that later.)

This group shot is reminiscent of an elementary school shoot: line ’em up on some risers and try to capture everyone looking their best. Obviously, some have misbehaved! Love that.

I also have stylist tendencies, because I put them all on a 2×4 on the laundry room water heater. Let’s go urban funk. It excites me in some great way to do anything BUT the perfect gallery shot. I’m saving that for when the whole series is decorated, glaze-fired and complete. Which is, gee, a whole six months or more away. I’ll wait. In the meantime, I will photograph whatever and wherever I like.

So here are their sweet and lively bisque-fired faces. What I have learned in the Second Quarter is that the smiles really speak to me, even if they are “window smiles.” I know I talked about smiles in a previous post, but responding to them goes deep and satisfies.

I also have to admit to understanding my work better when viewed through a lens, blogged about and published. It’s a bit like putting a frame on a painting because it sets it apart and allows another understanding of it to come forth. So does good lighting. So do 2×4 water heater risers in the laundry room.

I also have learned to stay loose and interpretive this quarter. Hence the Bland Man: I’m sure you can pick him out. But there is also the Temptress and the Dude. (No, not that The Dude, who abides, but a relative.) Such fun.

I have a few close-ups to post soon. But I wanted to share this Class Photo from today to get things started. It was a great July away..and you will hear me talking about that soon enough…but for now, just enjoy another small body of work that leads to a huge one.

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Keep on Talkin’

When you sign on for a year-long project lots of things happen you did not expect. Last post I spoke of being happily surprised that folks who appear in the weekly Santa Cruz Good Times Local Talk column are so pleasantly countenanced. (I am basing my 2009 one-a-week small face jug project on these faces; first 13 weeks crammed into the shot above.) I guess anyone who agrees to answer the question man is, well…agreeable!

Some things I have never seen in the column: an answer without a photo…..a dog or thing instead of a human in the picture, someone really mugging, or with their hands in front of their face, turned sideways or backwards…or even looking miserable like in a booking mugshot. Does that mean my facial sampling is skewed a bit towards the thoughtful, articulate, courageous and well-socialized among us? Sure! And, I am fairly sure that sometime in the past, one or all those things I don’t recall seeing have actually been there. This year, however, I live in a bit of dread about them. What, artistically, will be my response if it happens? Maybe I don’t want to know. Maybe I will pick that shot and really get stoked on the relief of seeing something new. Maybe I will play it safe.

Oh, yeah, and please, Good Times, don’t cut the budget for this column this year! I have thought of alerting the publication to my efforts, but it feels both wrong and premature. I need to let it all unfold as it will, being a patient B.S.-in-Sociology participant-observer! It’s heady enough (pun intended) sharing it with my family, friends, Art Salon and you out there in the cyber ethers. Let’s keep it our little secret and surprise the Good Times later, OK? And let’s hope they don’t surprise me too badly first.

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Work in Progress: Local Talkers

Now for some dramatic new art! Here is a stage-y shot of most of the First Quarter of 2009’s year-long small face jug project which I have set for myself.

Some of the backstory about this project: Our local entertainment weekly rag, the Good Times has run a column for all the 20 years I have read it called Local Talk. It’s a Question Man-type column, the kind where the reporter hangs out somewhere like in front of the bookstore, stopping random folks and asking them the burning topical question of the week, or even some general-interest question like, “What did you eat for breakfast?” The peeps who are amenable get their picture taken and their answer published in the column. I have even appeared in it! (And, interesting side-note, after I answered the question on the spot, I changed my mind and wound up calling the reporter later that afternoon to tell him my new opinion! That’s a Libra for you.)

Anyhow, years ago, when I was new to ceramic work, the Local Talk column asked, “If you were a vessel, what would your purpose be?” The range of and reasons for those answers still astound me. Those five people said they would be containers like ships, sustenance holders, and blood vessels! They would carry truth, food and oxygen in the interests of peace, cultural sharing and fun. I just never thought outside the utilitarian ceramic “vessel” until I read that column.

Somewhere soon after that column came into my life, I got the idea to make a piece of art each week based on one of the faces from it. Well, it took nine years, but this is the year I am doing just that. Each Thursday morning I go out early and grab a Good Times, bring it home and gently tear out the column and date and number it with the week. I pin each one to the wall in my studio until I can make two or three weeks’ worth of face jugs at a time.

I never know which of the three or four faces I will pick. Some weeks the faces are just so tantalizing and choosing is difficult. Some weeks, everyone just looks the same. Fortunately I have never sought to make portraits, but rather to use facial features, expressions, accessories and hair/hats as springboards for a fun little jug. Sometimes I am so lost in the faces I never even read the question or the answers!

I sign and date the bottoms and stamp the week’s number into the leatherhard clay when I am done. They are bisque-fired, but I am waiting to have the entire year done before I color and/or glaze them.

A side benefit to this project which I did not foresee: almost everyone is smiling or at least has a pleasant expression. They are a gentle, amicable bunch, this First Quarter grouping. I have a bit more to say about actually making them, so will write about them again soon.

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