Molly Hatch’s Surface Design Book: YUM!

New Ceramic Surface Design Book Cover

 

 

Dear Molly,

Thank you for making the book New Ceramic Surface Design. It’s a corker and I am keeping it out for easy reference.

While I own a couple other treasured surface design books (Robin Hopper’s Making Marks and The New Ceramic Surface by Mattias Ostermann,) I have never read them cover to cover, penciling notes in the margins and flagging whole sections, like I have yours.

I know nothing you cover is a really new technique. Believe me, I have tried mishima, stamping, textures, doodles, resists, stencils and my favorite, sgraffito, many times before. I have watched DVDs, taken classes and explored the surface design chapters in many other books over the years. So what’s different and valuable about yours?

Here, I’ll tell you:

  • Your charming voice. I sense your playfulness and joy as much as your expertise.
  • The bounty of illustrations, which are large and generous but not gratuitous and don’t skip important details.
  • The Artist Inspiration pages. They are well-chosen and informative and spot on in their placement.
  • The Tools list and photo before every new technique.
  • The “Tip” and “Try It!” boxes sprinkled everywhere.
  • The sweet lagniappe sections: Templates, Resources, Recipes and Glossary.
  • The thoughtful discussions about inspiration, composition, color and lines.

What I really can’t wait to use:

  • The Saral Red transfer paper – because the wax in graphite paper and carbon paper have been giving me fits for years now. You just took away a major headache!
  • Washi Tape – it sounds like the perfect solution to my tape sticking and residue problem
  • Lightweight clear packing tape in order to make…
  • Transfer Templates! Again, you just solved another major hassle in being able to confidently place patterns where I want them.
  • After I settle down with the above remedies, I’m looking forward to generally fooling around combining and layering your techniques, marrying form and surface and having a blast.

It pretty much all comes down to you being the generous and knowledgeable “friend with a good eye” you speak of on page 34.

Gratefully yours,

–Liz Crain, who also thinks the spiral binding is a nice touch so this reference book and be fully referenced.

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Wrecking Letterforms Three Different Ways

Ceramic Tile of Carved and Colored Ampersand Split in Two

 

I’m decidedly not a Calligrapher, Typographer or Sign Painter. Nor a Lettering Artist. And certainly NOT a Graphic Designer, as this journal entry whines on and on about. Yet the past school year spent with an indulgent, open-minded, but “nitpicking asshole” (his words) instructor leading me through these realms revealed a cool surprise. Turns out you can mangle it and still find happiness and beauty.

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I Don’t Throw Pots…But I Review This Book

Mastering the Potter;s Wheel book cover

 

Why would I, a longtime confirmed handbuilder-of-clay, seek out and buy a book dedicated to wheel throwing? Am I switching teams? Not hardly! I have no intention of throwing pots.

So, then, what gives? And why this particular book? I’ll explain.

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A Crack Camouflage Job

Pieces of Broken Incinerator Sculpture Cap

 

Continuing with our current theme, Ceramic Breakage, here’s a story with a happier ending.  Ceramic stuff breaks all the time. Not only can it crack at every stage of construction, but, as we know, it retains permanent vulnerability to hard knocks and gravity. Spend more than a few months around clay and you will certainly get the opportunity to try your hand at putting Humpty Dumpty back together again. It pays to have a few slick repair chops in your toolbelt, but you get them from experience. I’ll describe the moves I used to repair the top of an incinerator sculpture I made in 2009.

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Handle With Care. Uh, Not Like That.

Broken Vitri-Oil Handle

 

 

Smaragos is one of the five Greek Gods of Pottery, the Daimones Keramikoi. It appears they are all wrathful and need constant appeasement. Smaragos is The Smasher. As in demonically smashed, crashed, dropped and probably lobbed. In these modern times he moonlights at UPS.

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Creative Deep Freeze and The Spring Thaw

 

CreativeProcess3

 

When we last spoke, I was becoming curious about the workings of My Creative Block, hoping to at least ease the resistance and struggle, daring to think it could even be perverse fun. You don’t have to read that piece to understand this one, but it might illuminate. Anyhow, it was curiosity that led me to pick apart the components of the Creative Process to see if and how Blocks fit in. That’s what I’m gonna talk about here.Read More >

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Admit it, You’ve Got…

CreativeBlock

 

All my Creative Blocks are the same: Blocky. Un-Fun. Worrisome. Here’s a rant from inside my current one.

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