Stock in Trade

 

Desert Wisdom Card "play" with image of pottery jackrabbits
Play, a Desert Wisdom Card by Bo Mackison

 

Early in my pottery-marketing career (at a student sale) someone kindly schooled me in another form of transacting: “Artists don’t buy from each other, they trade!” she chided and grinned. And so we traded: hers for mine, mine for hers. It was right for all the right reasons.

I have now traded bunches of times. Some were as sweet and simple as that first, others not so much. I’m not often the one to suggest it, yet I usually don’t say no when a swap is proffered. That is mostly because I haven’t found a good rationale to refuse: a trade is always interesting, even if it goes awry. And every time it gets out of alignment (but never because of me! 😉 ) I get better at avoiding the pitfalls of forgetful, stingy, unskilled, or unrealistic traders, of which I have sadly met a few.

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Handle With Care. Uh, Not Like That.

Broken Vitri-Oil Handle

 

 

Smaragos is one of the five Greek Gods of Pottery, the Daimones Keramikoi. It appears they are all wrathful and need constant appeasement. Smaragos is The Smasher. As in demonically smashed, crashed, dropped and probably lobbed. In these modern times he moonlights at UPS.

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Studio Tour Part Four: West Wall

Studio West Wall Liz Crain Ceramics

 

This is the last installment of the Virtual Studio Tour. It knits up the four walls of my creative space. (You can read about the North Wall, the East Wall, and the South Wall to complete your own tour.) This wall is directly opposite the door and what’s on it is the most visible, albeit the most distant. Visitors to my actual Open Studio will see this, but maybe not get all the 411 that you will get here. Enjoy!

West is Best

MORE horizontal workspace and MORE shelves? Yep. It’s how I roll (pun intended.)  Actually, I see this as a second control panel. From left to right we have a slab roller which is more often pressed into horizontal work space and storage. Then a bookcase I could use better, but right now gives me admin area on top for papers and notepads that stay clean as well as the all-important KZSC/KPIG/KKUP  current program schedules (since I am too busy/messy/lazy to manage CDs and audio books.) It is also a place to keep clean rags and dirty tools. Below that are spare tools, tubs of slips, a hair dryer, also the place that the fan is stored, but folks, it has been HOT lately, so that cool breeze stays out.

Last, a couple more shelves with a motley assortment of usefulness and inspirations, which is continued onto the wall above.

 

A Free Slab Roller

 

Slab Roller Liz Crain Ceramics

 

I love good sturdy tools. I used to have an aircraft carrier-sized Brent slab roller (an SR-36, meaning it was nearly 2 1/2 times wider and a LOT longer than this one, which is an SR-14.) The big one dominated the garage. Then, magically, this studio-sized one was GIVEN to me. (Thank you MJ!)  It is the just-right Goldilocks solution that I also use for: a work surface,  easy-grab storage on the shelf, and a place for clay on the floor beneath. Down low, too, there is that lifetime supply roll of plastic cleaner’s clothing bags.  The white round thing? A humongous plaster form given to me my Slab Sister, Elaine Pinkernell.  Come this winter, I aim to play with it in making some larger slab pieces.

 

And How’s About Those Shelves?

 

West Wall Shelves Liz Crain Ceramics

 

There’s a bit of everything here: collected artwork, curated postcards and humor, work that needs replicating in order to do it better, the Dalai Lama, the Radio/CDplayer/iPod player, and pens and pencils. The wall above is covered in my own attempts at ceramic wall art – EXCEPT for the license plate piece – that was a rusty plate I found when I lived at Ham’s Station in Amador County which was just given some real artistic love by Diane Patracuola, whose work is evidenced on every wall in my studio in some way, intentionally but inadvertently, if you know what I mean. Off to the right, more forming, texturing and decorating tools. All this is on my left wing as I work.

I may do one more Virtual Studio Tour post about my kilns, but that will probably happen as a Coda, because during Open Studios folks only get to view a photo of my kiln shed, not the space itself. So that will be the lagniappe for you here.

 

Liz Crain, who is seriously in the throes of getting her Open Studios chops honed and invites you to drop by on October 10-11 from 10-6. Email  her or see the Open Studios Guide for details. If you are unable to visit in person, you are invited to drop by her brand new SHOP here on the website.  It’s a small endeavor now, but will grow right after Open Studios, and you are the first to know about it!

 

 

 

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Studio Tour Part Three: South Wall

Studio South Wall

 

Moving right along with the Virtual Studio Tour, this third week we turn to the shorty South Wall. It’s relatively short because the usable area falls between the furniture on the adjacent walls and the closet door. But what it lacks in length, it makes up for in versatility and depth, as you will soon see. (You are also invited to read about the North Wall and the East Wall.) This very close look at my studio is a way for everyone to step inside and see what’s where and why. It is so much MORE than you would get, even in a personal tour or during my upcoming Open Studios weekend, when you can look, but not go in.

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The Guestbook Problem – Solved!

NewMailingList

 

Actually, Guestbook, is the wrong name for it. To me Guestbook implies a memory book with poignant comments left by a clutch of visitors. Historical. Reception-y. Funereal.

And, if a simple listing of visitors and their comments is not the main goal, how to make sure the thing does what it’s supposed to do? I think I know!

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Welcome Special Requests, Probably

 

Still Life with Whup Ass Cans and Chainsaw
Still Life with Whup Ass Cans and Chainsaw

Once upon a time I was a Commission-Phobe. I wrote that taking on a commission was like picking a scab: a bit hurtful and self-destructive.

It was true for me at the time and you can read my reasoning here.  I have the horror stories to go with them: unreasonable deadlines, unending emails, design changes requested when it was too late, money refunded, non-payment. And I learned from them.

Since that post,  the special request tide has turned. It’s not that my reasons for hating commissions were proven wrong. They are all still profoundly true, but I manage the associated difficulties in suitable ways and I find myself welcoming select commissions with grace and ease.Read More >

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Still Seeking, Not So Desperately

LocalTalkersGoingHome

I’ve had a fine old time connecting with 19 out of 53 (36% so far!) folks from the “Local Talkers 2009” series of mini face jugs that I made back then and am now giving away to the folks who unwittingly posed for them. IF I can find them!

The whole idea is described in my last post, if you’d like to delve further. That post also contains the list of all 53 names AND who’s been located so far. I keep updating it and I will also include the shortened list at the end of this entry as well.Read More >

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