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It's an effortful and uncertain journey from the clay dig to the dining table or ceramic exhibit. A 30,000-year-old human endeavor transforming the essential formlessness of clay into artful, usable and meaningful vessels and sculpture.

And profoundly, the most common ceramic form on earth is the shard.

An ironic metaphor for everything -- Creation Myth and Creative Process -- clay both fascinates and daunts. If it were too easily explicable, we'd be on to something more mysterious, right?

There are others out there with my name -- and maha blessings to them!-- but I'm the Liz Crain who's a ceramic artist, sharing my individual version of ceramic art's saga with you.

To reveal this ever-unfolding tale, I use images and writing of not only my work and whatever/ whoever else in the world affects it, but hold conversations with my readers as well. Together we'll explore as much as we can, stretching from formlessness to the ultimate shardy end.

Medium or Massage?

This post is a bit of a ramble. It started when my fellow artist friend/blogger, Connie Williams mentioned on Facebook hearing the mockingbirds singing at dawn “imitating car alarms and frogs.” It haunts me that our electronic trills and whoops are being replicated in the animal world. And why ever not? How gullible [...]