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  • I’m Iterating As Fast As I Can

    On: November 30, 2017
    In: Artmaking, Creativity, Studio Journal
    Views: 92
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    Spiral of small ceramic tiles in tones of red

     

    Clay work as I experience it is unforgivingly slow-going. Asking clay to do the wrong things at the wrong state of wetness doesn’t yield desired results. Rushing claywares to dry invites problems the whole rest of the way. Bumping a bone dry piece can see it revert to dusty chunks. Not wiping bisqueware off before glazing it is just asking for glaze burbles. We won’t even speak of all the ways an inattentive firing can ruin entire loads of works, regardless of whether they were circumspectly made and decorated or not. I say clay taught me patience. Now I wonder if I learned that lesson a little too well. I’m certain that I make clay work even slower in at least ten ways. Let’s count them out.

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  • Glaze Transparency: Clear As Mud

    On: January 26, 2017
    In: Artmaking, Creativity, Studio Journal
    Views: 533
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    Ceramic test tile glaze palette

     

    I have a passion for ceramic test tiles: looking at them, using them for reference and making them. It comes from being a lifelong collector of paint chips, a lover of color theory books and classes, and a plyer of other media before I came to ceramics. I’ve played with paints, watercolors, colored pencils, even with translucent or transparent papers. And while there are color interaction similarities among media, I’m here to testify that the understanding of ceramic surface decorating materials, especially glazes, is in another universe altogether. As usual, I have a few thoughts about that.

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