Consciously using a prompting device is as old as humanity. What do you have? The new moon? A bracelet of any kind? A smell? A smile? Wake up!
Honestly, I think “waking up” is the wellspring of all inspiration.Being fully present to what is alive in us right now allows us to make whatever creative connections we are capable of, and not just in the visual arts.share this post:Read More
I am in the throes of forging a new, for-the-time-being manifesto, commonly known as my Artist Statement. What defining words are possibly the truest and most adequate for telling anyone about my current art and my process?
The latest version literally has more questions than statements. I have asked several diverse, sensitive and dedicated groups for feedback. I am grateful for what they have responded with:
1. Could be shorter. Hmm, a lot shorter in the main section, really.
2. Not so many questions!
3. Love, love, love the concluding paragraph! (Paranoid me wonders if that is because it is finally over.)
4. You sure can write some heady stuff!!!!
This is great to know. I can do this. Better to shorten than to fluff and all that. Do the words sparkle? Are the concepts true? YES!!!! I just need to wrangle them into a smaller, terser corral. Practically done.
What’s left is the greater question of what the hell is an Artist’s Statement? It can be nearly anything. There are guides out there to help us write them: Alyson Stanfield and Ariane Goodwin, to name some VERY helpful contemporaries. Even with rules and suggestions, they don’t whisper a word about it being easy.
Harder still is to come to terms with why do we write Artist’s Statements? Just because that is what’s done? To springboard off of Elizabeth Gilbert from her recent profoundly wonderful TED.com talk on genius, (http://www.ted.com/talks/elizabeth_gilbert_on_genius.html): You don’t see Chemical Engineers struggling over their Engineer Statements! Why is that?
A slight glimmer of why Artists write Statements: provided they are well written and ring true, their friends, collectors, interpreters, the general public and me often find them just as fascinating as the work itself. It Explains A Lot. I know I have been able to go much deeper into many an artist’s exhibit with a good written revelation of both thought and process.
Work that usually springs from that wordless place in the brain gets better in valuable ways when it circles all the way to the forebrain and back. So, short answer: We write so others can more fully understand us…but in doing that writing we can more fully understand ourselves!
So struggle away. Write your truth with vigor and honesty, knowing that we all benefit from it in ways beyond and in addition to the words, words, words, words.share this post:Read More