• Games People Play: Glyph Con and Packrat

    On: February 28, 2018
    In: Art Biz, Artmaking, Community, Studio Journal
    Views: 800
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    Two Ceramic Games

    Rear: “Glyph Con,” Ceramic and Metal, 2018 and Front: “Packrat,” Ceramic and Glass, 2018

     

    I finished in time! Here are the final two of the seven ceramic games I will have in my March, 2018 solo show at Roscoe Ceramic Gallery in Oakland, CA. One is a 3D version of Concentration, the other is a fun ceramic faux log form for Mancala. Let’s check them out.

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  • Games People Play: Toss It Off and Gear Train

    On: February 22, 2018
    In: Art Biz, Artmaking, Community, Studio Journal
    Views: 750
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    Two Ceramic Games_Toss It Off and Gear Train

    Rear: “Gear Train,” Ceramic, Found Objects, 2017                 Front: “Toss It Off,” Ceramic, Wood, Rubber, 2018

     

    Here are two more of the seven sculptural ceramic games going into my upcoming solo show. For a fun contrast to the others, they come up off the flat playing surface, create fusions of well-known games and open the mind to further possibilities. “Toss It Off” is a combination of Ring Toss and Beer Pong, while “Gear Train” is a steampunky variation of “Connect4” and similar. Let’s see how they work.

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  • Games People Play: Gummo

    On: February 15, 2018
    In: Art Biz, Artmaking, Community, Creativity, Studio Journal
    Views: 591
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    Ceramc Gum Playing Pieces, found Object checkerboard

    “Gummo”  Clay, Found Object, Magnets, Foil, 2017

     

    We’re continuing our explorations of the artworks that will comprise my upcoming solo show, “Games People Play,”  with this take on the venerable boardgame family internationally known as Draughts. (That’s Checkers to Americans.) In this version, which I titled Gummo, the ceramic playing pieces are fashioned to resemble used chewing gum and, just like gum, they can cling to the underside of the checkerboard when not in play. Whaaaaat? How? Why?

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  • Games People Play: Color Theory

    On: February 7, 2018
    In: Art Biz, Artmaking, Community, Studio Journal
    Views: 631
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    Ceramic Board Game Color Theory

    “Color Theory” Ceramic, Sand and Found Object, 2018

     

     

     

    Here’s the second installment exploring the series of ceramic works I have created in the past nine months: sculptural but playable games. Let’s take a closer look at “Color Theory” which challenges players to move across an 8-colored grid based on what color their opponent just landed on.

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  • Games People Play: Intro and First Game

    On: February 1, 2018
    In: Artmaking, Community, Creativity, Studio Journal
    Views: 685
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    Ceramic Crystals and Corns Game

    “Crystals and Corns Game”, Ceramic and Found Object, 2017

     

    Let me formally introduce you to the first installment of a series that I’ve been creating for my upcoming (March 2018) solo show at Roscoe Ceramic Gallery in Oakland, CA. With a working title of “Games People Play,”  the show’s all about seven artfully intriguing and fully playable games which incorporate my hand built ceramics in major ways. I fashioned the playing pieces for all of them, and sometimes I created the playing field as well. Found Objects abound. Let’s look at the Big Idea for this Exhibit and then at the first game I made. We’ll explore the other six over the month of February, providing I finish the last two!

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  • The Nasty Woman Studio Intervention and Rehab Plan

    On: December 13, 2017
    In: Artmaking, Creativity, Studio Journal
    Views: 704
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    Studio Intervention Altar

     

    Each year I do a short unstructured ceremony in my studio to review the year and reset my sails for the next year. Most years I assemble the work table altar items with care over the week preceding my session: flowers, candles, music, and aromatics join meaningful pieces, well-considered written summations and questions, paper for note-making. This year was different: I needed to not just record, but to JOLT things, so I began calling the event an Intervention. To support that idea, I roughed out a space in the over-crowded studio for just a scant few basics and went to find the recipe for the Nasty Woman Cocktail, a leftover from a former time of optimism.

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  • I’m Iterating As Fast As I Can

    On: November 30, 2017
    In: Artmaking, Creativity, Studio Journal
    Views: 523
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    Spiral of small ceramic tiles in tones of red

     

    Clay work as I experience it is unforgivingly slow-going. Asking clay to do the wrong things at the wrong state of wetness doesn’t yield desired results. Rushing claywares to dry invites problems the whole rest of the way. Bumping a bone dry piece can see it revert to dusty chunks. Not wiping bisqueware off before glazing it is just asking for glaze burbles. We won’t even speak of all the ways an inattentive firing can ruin entire loads of works, regardless of whether they were circumspectly made and decorated or not. I say clay taught me patience. Now I wonder if I learned that lesson a little too well. I’m certain that I make clay work even slower in at least ten ways. Let’s count them out.

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