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Molly Hatch’s Surface Design Book: YUM!

On: June 7, 2016
In: Community, How To's, Studio Journal
Views: 662
 1
New Ceramic Surface Design Book Cover

 

 

Dear Molly,

Thank you for making the book New Ceramic Surface Design. It’s a corker and I am keeping it out for easy reference.

While I own a couple other treasured surface design books (Robin Hopper’s Making Marks and The New Ceramic Surface by Mattias Ostermann,) I have never read them cover to cover, penciling notes in the margins and flagging whole sections, like I have yours.

I know nothing you cover is a really new technique. Believe me, I have tried mishima, stamping, textures, doodles, resists, stencils and my favorite, sgraffito, many times before. I have watched DVDs, taken classes and explored the surface design chapters in many other books over the years. So what’s different and valuable about yours?

Here, I’ll tell you:

  • Your charming voice. I sense your playfulness and joy as much as your expertise.
  • The bounty of illustrations, which are large and generous but not gratuitous and don’t skip important details.
  • The Artist Inspiration pages. They are well-chosen and informative and spot on in their placement.
  • The Tools list and photo before every new technique.
  • The “Tip” and “Try It!” boxes sprinkled everywhere.
  • The sweet lagniappe sections: Templates, Resources, Recipes and Glossary.
  • The thoughtful discussions about inspiration, composition, color and lines.

What I really can’t wait to use:

  • The Saral Red transfer paper – because the wax in graphite paper and carbon paper have been giving me fits for years now. You just took away a major headache!
  • Washi Tape – it sounds like the perfect solution to my tape sticking and residue problem
  • Lightweight clear packing tape in order to make…
  • Transfer Templates! Again, you just solved another major hassle in being able to confidently place patterns where I want them.
  • After I settle down with the above remedies, I’m looking forward to generally fooling around combining and layering your techniques, marrying form and surface and having a blast.

It pretty much all comes down to you being the generous and knowledgeable “friend with a good eye” you speak of on page 34.

Gratefully yours,

–Liz Crain, who also thinks the spiral binding is a nice touch so this reference book and be fully referenced.

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