My Art Buddy Karen: An Illustrated Panegyric

Love Karen Hansen's playful WallHeart

I could have said paean or laudation or even, dare I, encomium, but panegyric was the big ass word I needed for this public praise piece about my Art Buddy Karen Hansen.

So, without tons of backstory, and letting the photos describe her ceramic art, what’s good about Karen as an Art Buddy?

What's she DOING in there? (Karen Hansen, greenware)

She’s Magnetic. It’s got to be about Frequency (or is it pheromones? I forget.) No matter, when I’m in classes with her, I want to know what she’s doing, thinking, making. It matters to me a whole bunch. Even though our styles are divergent, they’re sourced from similar resonances and I simply need to be around that to channel the muse and protect me from the detrimental energies in the room.

You know, deep down inside, TV is good for you! (TV Wall Plaque - Karen Hansen)

She’s Associative. That means that she collects her fascinations from nearly any quadrant and synthesizes them into enjoyable quirky meanings. A quick study of human foibles, she makes good fun of nearly every thing and every body. She’s facile with words and slippery thoughts. As a matter of fact, that might be her true medium. But it comes out in the clay too.

Half Empty? Half Full? Nope, just 1/2. Deal. (1/2 Lidded Jar - Karen Hansen)

She’s Versatile and Steady. Adaptive and Constant. Ever-changing and Predictable. Do I speak in parables and opposites? Yes. Because it’s true. I’ve probably quoted it before, but it was Steve Allen (or maybe Marshall McLuhan) who said, “The funny man (sic) is a man (sic) with a grievance.” If we go beyond the oppositions, we find the unifying core of humanity in both tragedy and comedy and I enjoy that skill in Karen.

Karen's Playland (or one of them...) Hey, I see that oil can back there!

She Brings It Basically it’s a Full Catastrophe Package with Karen. Equally capable of shop talk, philosophy, baudiness, pop culture or fine art references, and animal humor, she most humbly reveals her passions. She can simultaneously complain and assess, with chuckles. She buys my art, too, astounding me.

Skullheart, Pitfired babydoll head, Pillsbury Doughboy, Candies and dial tile...the beginning of my Karen Hansen art collection

Well, I mean to say I’m pretty fond of her. Art Buddies cannot be conjured. They ARE. I have a modest shelf of Karen’s treasures, pictured above. Some I traded with her, some I just purloined from her “extras.” Karen would modestly say these pieces reflect more about the eye of the beholder (me) than the maker (her), but I like them because they hold her special juju. Back to that vibe thing. And I want MORE stuff in this collection, especially of her newer work.

Polka Dots and Spirals for Everybody (Lidded Jar - Karen Hansen)

Fortunately for all of us, she recently entered the art market, a move I applaud. There’s her Etsy Shop, Polka Dot Clay Studio where you can see and buy lots more of her fun style for yourself. And there’s the Santa Cruz Open Studios Art Tour 2011, which we’re both still waiting to hear about our acceptance.

One Word: Birds (Lidded Jar - Karen Hansen)

Conspirators. Birds of a feather. Com-madres. That’s how I feel about knowing Karen and her art. Did I heap enough public praise? Did I use enough illustrations? I hope so.

Corazon Espinado in the most exquisite way. (Wallheart - Karen Hansen)

Thanks, Karen!

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Takin’ It Outside and On the Road

In terms of ceramic art, mine and others, I did it up royally last weekend. That means I went for maximum effort and uber-luxe spectacle by attending and participating in both the California Conference for the Advancement of Ceramic Art AND the Santa Cruz Clay Show and Sale at Bargetto Winery.

Friday: To Davis, CA and back (2.5 hours each way) in 12 hours. The other 7 hours we were NOT in the car, we toured 45 exhibits and demos at the 22nd annual CCACA. What a whirlwind of wonderful work! I’m always dumbfounded by a few pieces and suitably inspired by a great many more. For the first time, I was kinda sad not to have the whole weekend there.

Biggest showstopper of course: Cabrillo College’s outdoor exhibit titled “Hard Times.” Described as “a social comment on the economic down-turn and a trompe l’oeil ceramic art installation.” My all-ceramic aquarium piece, which I have previously spoken of, was made for this. Here are a few shots, a street view and one from the uphill side of things.

It was almost TOO realistic!
Anything not white is ceramic!

All the “pedestals” are pieces of furniture. Everything else is a ceramic treasure. (Well, you already know the aquarium is glass…) It’s daring to take an outdoor space and fill it with such a large concept. And when the sprinklers went on Sunday morning, the aquarium even held some water.

Saturday and Sunday: My first away from my studio outdoor ceramic booth set-up and sale. I called it a Pop-uP Pottery Village. It contained a population of around 25 local ceramic artists. We were all lined up in row and around a courtyard, representing an impressive range of pottery and sculpture, featuring artists old and new to both the craft and the sale. (Me? Definitely a Newbie on all counts, really.)

I found an authentically playful way to engage my visitors and my colleagues, felt surprisingly comfortable and pleased with how it turned out. At the end of Sunday, all my business cards were gone, I added a dozen new fans to my mailing list, made respectable sales, got a couple of leads to galleries (!) and found out I must have a bigger vehicle in order to safely hold the booth, furniture, display shelves and all the carefully packed boxes of breakable work.

Here are two views of my booth set-up, front view and from behind the “counter.”

Yeah yeah, I really need some signs!
I asked my visitors if I was the appetizer or the dessert.

It was probably a good thing to be so incredibly busy because my game got really tight. Not only did I survive some completely new ventures, I was energized and encouraged by them. A few things still need to be put away, the studio needs a good clean-out, but I am happily aware of how getting out there completes the creative cycle for me. Each time round is less scary and confusing and I savor the recharged impetus to make more work. And, best of all, thankfully these two events will NOT be on the same weekend in 2012. Yes!

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