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It's an effortful and uncertain journey from the clay dig to the dining table or ceramic exhibit. A 30,000-year-old human endeavor transforming the essential formlessness of clay into artful, usable and meaningful vessels and sculpture.

And profoundly, the most common ceramic form on earth is the shard.

An ironic metaphor for everything -- Creation Myth and Creative Process -- clay both fascinates and daunts. If it were too easily explicable, we'd be on to something more mysterious, right?

There are others out there with my name -- and maha blessings to them!-- but I'm the Liz Crain who's a ceramic artist, sharing my individual version of ceramic art's saga with you.

To reveal this ever-unfolding tale, I use images and writing of not only my work and whatever/ whoever else in the world affects it, but hold conversations with my readers as well. Together we'll explore as much as we can, stretching from formlessness to the ultimate shardy end.

Why Art is Vital, Once Again

Oh c’mon now….you’ve heard this for years: The Arts are always the first thing to get cut….and why? From Mr. Holland’s Opus , 1995: “Well I guess you can cut the arts as much as you want, Gene. Sooner or later, these kids won’t have anything to read or write about.”

Combine that with the fact that in the New Millennium (remember that shiny new concept?) employees will not be asked just to do their job, but to be able to think outside the box and be innovative, too.

So, if you need further bolstering, here is a connection for not only what’s possible and important about artists and arts education, but what has already happened because of artists and their ability to synthesize and invent. Click Here to View!

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